It has been some thirty years since IR theorist Hedley Bull introduced the concept of ‘diplomatic culture’, which he understood as ‘the common stock of ideas and values possessed by the official representatives of states’. Revised from a political-philosophical point of view by his disciple James Der Derian in the ...
(Show more)It has been some thirty years since IR theorist Hedley Bull introduced the concept of ‘diplomatic culture’, which he understood as ‘the common stock of ideas and values possessed by the official representatives of states’. Revised from a political-philosophical point of view by his disciple James Der Derian in the 1980s, Bull’s concept seemed to have sunk into oblivion afterwards. Less than a decade ago, however, it resurfaced vigorously, establishing its omnipresence in IR theory as well as in diplomatic historiography. But nonetheless our understanding of diplomatic culture has not advanced much since Hedley Bull’s initial thoughts on the subject. Admittedly, theoreticians of International Relations, on the one hand, have elaborated his and Der Derian’s definitions, narrowing them down to an ‘encounter culture’ of professional diplomats (e.g. Sharp 2004), or instead widening them to a set of norms, rules and institutions divided by a whole range of political entities involved in diplomacy (e.g. Wiseman 2005). However, no consensus has been reached, and possibly related no methodology for its study has been developed. Historians of diplomacy, on the other hand, have largely ignored the debate in IR Theory. In recent years, voluminous studies of the history of diplomatic culture in early modern Europe and in the modern world have appeared (e.g. Osborne 2002, Auslin 2004). Yet conceptualization efforts in these works are sometimes inexistent and always hardly substantiated. Perhaps for this reason, methodologies mostly are rather impressionist.
This paper proposes a theoretical framework for the study of the history of diplomatic culture. It draws on Glen Gendzel’s (1997) well-known ideas on the concept of political culture, and considers the diplomats as a distinct social group. The diplomat’s culture, consequently, is essentially an elite culture, and can be understood as ‘the context of diplomacy itself, the structure of meaning through which diplomats develop ideas, perceive interests, and act on both’. It adopts the early twentieth century as its chronological framework. Due to the passage from ‘old’ to ‘new’ diplomacy under the influence of political democratization, this was a fundamental faze of transition and equally of crisis in the history of diplomatic culture. Between 1910 and 1940, the community of Belgian diplomats continued to be dominated by the country’s aristocracy. The world around them, though, was changing, as was their relationship with Belgian central authorities and with other members of the corps diplomatique.
Studying the diplomatic culture of this period means looking into the diplomat’s ideas (i.e. identities and loyalties) and actions (i.e. strategies and practices). In order to do so most fruitfully, this paper suggests a theoretical framework that combines insights from IR Theory (Neumann’s thoughts on being a diplomat), sociology (Granovetter’s social networks’ theory), anthropology (Goffmann’s interaction analysis), and psychology (Erikson’s ideas on identity and crisis).
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