This research is the result of the fruitful couple that brings together Recent History and Oral History: it copes with an issue and a historical period in which we are actively immersed.
On July 29th 1966, only one month after the coup d’état that deposed Arturo Illia, General ...
(Show more)This research is the result of the fruitful couple that brings together Recent History and Oral History: it copes with an issue and a historical period in which we are actively immersed.
On July 29th 1966, only one month after the coup d’état that deposed Arturo Illia, General Onganía’s dictatorship interdicted national universities stating they were a cradle of Communism. The police burst into the departments of the University of Buenos Aires roughing up students and professors. Laboratories and libraries were destroyed. The so called “Night of the Billy clubs” was followed by a wave of resignations: 1378 professors and researchers left their positions, 300 of them emigrated. The aim of this policy was to ban academic autonomy, freedom of chair, and any focal point of dissent.
This brain drain went on for many years along Argentine history, within the framework of other dictatorial governments, and once democracy was definitely restored, under neoliberal policies.
The crisis of neoliberalism in 2001 meant a deep change of paradigm. As from 2003, almost 40 years after that sadly famous winter night, we are witnessing a real turning point with regards to scientific and technological policies, within a broader project that stresses national development and domestic market growth. This is precisely the backdrop of the scientists repatriation carried out by the Executive, in the first place under Néstor Kirchner’s administration (2003-2007) and under Cristina Fernández’s from 2007. Eight hundred have returned so far.
Our research focuses on the embodiment that this historical process and these policies acquire in the scientists that have decided to return to Argentina. Their experiences and nostalgia abroad, the complex mixture of expectations, enthusiasm, tensions and uncertainties vis à vis their return, flow in the narrations gathered mainly through collective interviews, emphasizing the “choral” character of this construction.
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