This proposed paper is based on my ongoing doctoral thesis entitled ‘Adrian Henri and Merseybeat poetry: performance, poetry, and public in the Liverpool Scene of the 1960s’ (at Royal Holloway, with Professor Robert Hampson). My work uses much archival research and oral memory, particularly in relation to the live event ...
(Show more)This proposed paper is based on my ongoing doctoral thesis entitled ‘Adrian Henri and Merseybeat poetry: performance, poetry, and public in the Liverpool Scene of the 1960s’ (at Royal Holloway, with Professor Robert Hampson). My work uses much archival research and oral memory, particularly in relation to the live event and oral poetry in Liverpool at the time.
Sentiment analysis of the Domain Dark Archive is an intriguing angle in relation to my work on the Liverpool Poets and their reception by not only the mainstream media but also by those who experienced their work at the time (in the form of memoir, via fan pages, forums, and the like), and as such is providing me with another area of information to consider alongside more traditional newspapers, interviews, and archival material.
In relation to the AADDA project I am exploring the use of proximity search. I have found in my research that a variety of labels have been attached to the poets, and I am most interested in seeing how Adrian Henri, Roger McGough, and Brian Patten are referred to in forums and similar (informal) internet sites. Henri is often referred to in academic material as a poet/painter, but I want to find out how ordinary people, for want of a better word, labelled him – and I will then combine and compare this data with searches for the same terms from newspaper and published works, as there is a marked difference in academic and popular attitudes to the poets.
In addition, I am hoping to run geo-indexing analysis, to see where (as well as who and when) these results are coming from. I would expect results within Liverpool, but it would be interesting to see where else is recorded. It would be particularly interesting to see if the Liverpool 8 postcode (which is where the poets were living and working) would be an area of memorialisation.
The use of digital approaches and the domain dark archive are potentially important for my research because I am approaching the literary movement from a multi-, inter-, and cross- media perspective, to present Merseybeat poetry as ‘total art’. In the archives in Liverpool there are flyers for events with a variety of labels for the poets (many of which were written by the poets themselves for events and tours), but I want to be able to provide evidence for how the people experiencing the work have categorised the poets and I think that the digital approaches described above will help me prove my thesis. This paper will highlight how successful my engagement with AADDA and use of their digital tools proves to be for my wider doctoral research.
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