Two years after her return from Guinea, in 1960, Czechoslovak Radio foreign correspondent V?ra Š?oví?ková mused that listeners from the country’s biggest cities down to its smallest villages were “constantly inviting me to talk about it.” Š?oví?ková concluded that “people here like Guinea; they already know a lot about it, ...
(Show more)Two years after her return from Guinea, in 1960, Czechoslovak Radio foreign correspondent V?ra Š?oví?ková mused that listeners from the country’s biggest cities down to its smallest villages were “constantly inviting me to talk about it.” Š?oví?ková concluded that “people here like Guinea; they already know a lot about it, and they want to know more still.” The reporter thus characterized Czechs and Slovaks as eager recipients of information about Africa’s newly-independent states, and herself as an expert in a position to disseminate such knowledge.
This paper examines the ways in which journalists with experience abroad (such as Š?oví?ková) represented Czechoslovak foreign policy, and insisted upon their expert status to influence foreign policy in an allegedly totalitarian, allegedly puppet, state. Following James Mark and Péter Apor, I focus on individuals who embodied the ideals of “socialism going global,” tracing such Central European engagement with the Third World back through the Stalinist period, and acknowledging the interwar Czechoslovak and Habsburg logics that inflected foreign reporters’ work. I analyze in particular the scripts, fan-mail, and memoirs of Czechoslovak Radio’s Africa correspondent V?ra Š?oví?ková, and the case of foreign reporter turned foreign minister, Ji?í Dienstbier, to consider how reporters conceived of radio’s potential to reshape Czechs’ and Slovaks’ understandings of foreign people and places. How did journalists position themselves towards a Czechoslovak public, a Czechoslovak state, and a world beyond Czechoslovakia’s borders? And how might their output transform our understanding of socialist media and the Czechoslovak listeners it served in the 1950s and the 1960s?
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